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Thank you to everyone who applied.
Only the transverse flute can compete with Japanese drums!
Many Shinobue enthusiasts should love taiko, and speaking of a powerful, loud Japanese taiko instrument that can be played with a taiko drum ...
Yes, the whistle! There is only.
The timbre of the distant sound even in the clear outdoors of Shinobue.
I want you to concentrate on training while actually feeling the sound pressure with your body!
With that in mind, this training camp was planned.
What kind of training is it?
I don't know how to train.
I often hear these voices.
The road is far, steep, and there is no time to become an expert. Before that, I don't know how to practice. This is a tragedy when you want to use your short practice time effectively. As it is known, wrong practice is harmful. We know that by making mistakes over and over again, we learn the mistakes themselves.
Having said that, it can be a daunting task to master all the techniques. What's more, the problem that sometimes arises when learning from a professional is that someone who devotes his life to music and becomes an expert demands the same thing. This is frustrating.
It is a lie if the know-how that can be easily acquired in a few days lies in learning an instrument.
However, if you hold down a few points, you can make a mistake. The point is how you want to play. Do you want to be a professional ...?
I think many people are different.
Many people
・ I want to be a little better ・ I want to be a little more enjoyable ・ I want you to tell me what kind of practice you should do ・ I want you to tell me the points that amateurs do not understand Isn't it such a feeling?
To be honest.
If you don't practice, you won't improve. Knowledge alone is enough to get you into your head, but you can't get it. But without knowledge, nothing can be attached to anything.
Gaining knowledge is very important for adults. Clarify the purpose of the practice and get closer to the goal in a short period of time and in a short distance.
We hope that this strategic approach will make your music life even more fulfilling and enjoyable. (Tatara Toki)
Training camp venue: National Women's Education Center
728 Sugaya, Ranzan-cho, Hiki-gun, Saitama 355-0221
Click here for access details
Click here for accommodation details
Tatara Toki
The theme is how to resonate with the hearts of modern people by investigating bamboo flutes that are nostalgic and approach the soul of Japanese people. Composing and playing activities to pursue the possibility of Shinobue, which does not have solo songs in classical music, with both traditional Japanese classical playing techniques and techniques cultivated in learning Western music.
In addition to the original work collection CD, there are many participating CDs. Presided over by the Tokikai, his own subordinate. Director of Japan Shinobue Association. Part-time lecturer at Niimi University, Okayama Prefecture. Ueno Gakuen University Japanese Music Circle Shinobue Coach.
Kenichi Koizumi
Studied under Eitetsu Hayashi, a leading drum player
Participated in the Wadaiko group "TAIKOZ", which is based in Sydney. After returning to Japan, started solo activities. Co-starred with various artists. Performances abroad are also in more than 20 countries.
[Activity history]
Many appearances in Eitetsu Hayashi concert Hiromitsu Agatsuma Participated in "Eternal Songs" concert & recording
Participated in the Yoshida Brothers "Flying" concert Performed at the stage "Hakkenden" starring Sadao Abe
Performed on board as Kenshin with Nobuhito Yamanaka on the passenger ship "Asuka II" (Tsugaru Shamisen)
2015 20th Anniversary Album "Proof" Announced
HIBIKUS Yokohama Lecturer
April 27, 2019 (Friday)
First day of training camp
The program on the first day focuses on the whistle. You will be asked to work on lectures and practical exercises on basic practice methods that you may not have usually worked on, and approaches as whistles for two songs.
12:30 Orientation
13: 00-14: 30 Workshop ①
"Kagari Dengaku"
・ Two types of folk song scales
・ Tonguing
Single & double
15:00 check-in
15: 30-17: 00 Workshop ②
"NEBUTA"
・ Third type of folk song scale
・ Rhythm practice
・ Free practice time
* There is an instructor, so please make it time to get feedback.
18:30 dinner
19:00 Workshop ③
・ Basic training
① Scale practice of folk scale
②Practice finger separation for fast passage
20:00 Free practice time
Saturday, April 28, 2019
2nd day of training camp
From the second day, the ensemble with Japanese drums will be practiced. The Wadaiko workshop will be held on the second day.
8:00 Breakfast
9: 00-11: 30
Workshop ④
"Hands of interaction"
Onomatopoeia
&
Analyze and phrasing
11:30 Lunch
12:30 Day 2 Orientation
Introducing new participants
13: 20-13: 50 Introducing Dr. Kenichi Koizumi
& Demo performance
14: 00-14: 50 Workshop ⑤
"NEBUTA"
Divided into parts
15: 00-15: 50 Workshop ⑥
"NEBUTA" ensemble practice
16:00 16:50 Workshop ⑦
"Kagari Dengaku"
Divided into parts
17: 00-17: 50 Workshop ⑧
"Kagari Dengaku" ensemble practice
18:30 Supper
19: 30-21: 00 Workshop ⑨
2 songs practice & hands of interaction
Sunday, April 29, 2019
Last day of training camp
On the final day, we will finish the work while watching the participants. Take as long as possible to play, feel the rhythm on your skin, and get on with the rhythm.
The flute is a breathing instrument. Blow with your body, not just your head. I would like you to experience this feeling and remember it with your body.
8:00 breakfast
9: 00-11: 30 Workshop ⑩
Overall review & presentation
12:00 end
Training camp contents
The program on the first day focuses on the whistle.
You will be involved in lectures and practical exercises on basic practice methods that you may not have normally worked on, and approaches as whistles for the two songs.
From the second day, the ensemble with Japanese drums will be practiced. The Wadaiko workshop will be held on the second day.
On the final day, we will finish the work while watching the participants. Take as long as possible to play, feel the rhythm on your skin, and get on with the rhythm.
The flute is a breathing instrument. Blow with your body, not just your head.
I would like you to experience this feeling and remember it with your body. (Photo: Lecturer Kenichi Koizumi)
Original music training and sales
Both are songs that professionals put into their concert programs.
The approach to these songs, and the points to be aware of when ensemble Japanese drums and flutes,
Only here should be held down! point.
Please withdraw from each instructor.
Now, sheet music is indispensable for an intensive program in a short period of time.
For this training camp, we have prepared the original scores for these two songs.
Kagari Dengaku has already been released by ATN Publishing (Wadaiko & Transverse Flute Ensemble Song Collection), but Mr. Koizumi wrote the original part of Wadaiko.
Under the supervision of Mr. Koizumi, NEBUTA has finished the score of the flute to a specification that makes it easy for Mr. Toki to play the flute.
If you belong to the Wadaiko team, why not add the songs you learned to the repertoire as a team?
(* Please contact the secretariat for the handling of sheet music.)
Course song
The songs of this training camp are greedy and two songs!
"Kagari Dengaku" & "NEBUTA"
First, the instructor Tatara Toki's original song "Kagari Dengaku", and the other song is Kenichi Koizumi's original song "NEBUTA".
"Kagari Dengaku" is loved by many Japanese drum groups overseas. Many videos are actually posted on the net. As those who belong to the Wadaiko team are familiar with, the playing style of Wadaiko is still young, so there are not many songs. Many make copies of the originals of professional groups or compose originals by their respective teams. It's great, and I feel the energy of witnessing the natural sources of music. Among such energetic Japanese drum songs, Kagari Dengaku is an original song by a flute player, and it is loved that the flute has a presence that plays a leading role, while the songs that can taste the real thrill of the flute are a little scarce. Isn't it one of the reasons?
However, for that reason, there are plenty of difficult parts. For those who have doubts that just copying the sound with their ears doesn't look good, this training camp provides an effective approach to difficult areas, practice methods, and interpretation and expression of songs. This is a great opportunity to learn from the composer himself.
And another song.
Kenichi Koizumi's original song "NEBUTA" is also included in the curriculum. "NEBUTA" is based on the motif of Nebuta, a traditional performing art of Aomori prefecture that is famous all over the country. If you listen to the fascinating melody of the flute, oh! Many people will hit their knees. Nebuta Hayashi uses a uniquely tuned flute, but NEBUTA uses a singing tone, so the tone you normally use is OK.
* Both Kagari Dengaku and NEBUTA use 6-tone songs.
Special benefits
A live performance of "Yonin Bayashi" (a unit consisting of Mikita Hase and Michiko Yamada) will be held on May 23, 2019, in which Tatara Toki and Kenichi Koizumi will participate.
These two songs will be performed on the day.
Listening to the performance of the songs you have learned will help you to deepen your understanding of the songs. Also, as a privilege * Live charge will be 20% off for training camp participants. (* Please tell one of the instructors that you will participate in the spring training camp when you make a live reservation.)
We hope that the spring training camp will enrich your music life.
We look forward to your participation.